Designer

“I started to keep track of what my hours in the building were through a payroll app. At the end of my second (and last) season, I had documented proof that there were multiple periods during the season where I would go weeks without having days off (I think one stretch was 7 weeks long) with many of those weeks being 60-70 hour weeks. By that second season, I was exhausted and burnt out; I asked the PM (who had also asked me to become the resident designer the next season) to hire a part-time assistant for me so I could get at least ONE day off a week… I was fired the day after I made that request”

“It’s HARD, and I’m very well-aware that, in my 40s, I’ve never been able to find a way to make many/any personal relationships work because I’m exhausted all the time (physically and mentally) and my “day off”; is usually spent sleeping and doing “life errands.””

“I can’t imagine how this is healthy for me… and when you think about how this schedule really is a barrier to so many other people who want to be theater artists. The way tech schedules are set up, you have to sacrifice your outside life in order to cram as much work into as short a process as possible. Why do we do this to ourselves?”

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AnonymousAnonymous

“A 10/12 or whatever the tech rehearsal length is easily and normally a 14-16 hour day, and it takes a physical and emotional toll. I’ve had off and on tingling on one of my feet for a few months for being on my feet so much over several weeks of putting in a show. I have a permanent knot in my neck now, and during a few weeks of one tech I could not fully turn my head.”

AnonymousAnonymous

“As a woman from a low-income family trying to escape generational poverty, and as a
first-generation college student, I was barely able to enter this industry. I took internships in the beginning that didn’t allow me enough money to eat some days. I would spend my last pocket change getting home on the subway, and get home to an empty fridge. I went without health insurance for years while trying to work my way up. The amount of hours required of an intern, of a salaried employee, of an hourly worker – all are discriminatory and made to elevate people who can afford to work these hours.”

“At my age (nearly 40), these kinds of hours have caught up with me. I have back problems, I have aches from on- the-job injuries that were entirely preventable if we didn’t have this culture of “do it faster and better” and “prove yourself.” If I had not been relatively healthy and able-bodied at the beginning of my career, I could not have taken the risks that I did back then.”

Male BIPOC Admin/DesignMale BIPOC Admin/Design

“…The issues highlighted by the 10/12 tech rehearsal – would come into clear focus when, at age 36, I decided to enter a “soft retirement” of the robust regional theatre career I’d cultivated. It was the year my first child was born. I simply couldn’t afford to maintain a lifestyle that required my regular absence from the home for extensive day and night hours, while sharing with my wife (who also has a full-time career) the responsibilities of raising a child. The extent that I had succeeded to that point already felt, in fact, like an extension of privilege unavailable to artists with a different background.”